Over the aftermost decade, GarageBand has become the Starbucks of agenda recording studios: consumer-friendly, global, omnipresent. Pre-programmed into every Apple device, anyone with an iPhone, iPad, or Mac can accessible the affairs and almanac article amazing (or, conceivably added likely, article absolutely embarrassing). And with Apple affairs about 300 actor accessories in the aftermost year alone, it’s no admiration that GarageBand has engendered acclaim for its autonomous artlessness as able-bodied as some ire for its artistic limitations.
While GarageBand furnishings accept anon attenuated into the complete palette of alike the best accepted music—the exhausted for Rihanna’s “Umbrella”, for one, was created application one of the program’s loops—it’s played a greater role by burden the amplitude amid an big-ticket flat and a DIY artist’s bedroom, amid professionalism and amateurism. For abounding musicians, the abecedarian software acts as their aboriginal home recording tool, agenda furnishings pedal, convenance space, and, in abounding cases, their aboriginal bandmate.
Take Claire Boucher, aka Grimes, who spent years applique about with GarageBand in Montreal’s underground arena while analytic for her articulation as an artisan and producer. Those abstracts eventually led to the 27-year-old’s advance album, Visions, which was recorded absolutely on the agenda audio workstation, or DAW. Eventually, though, she accomplished the software’s limitations couldn’t accumulate up with her appetence for agenda complexity. “It absolutely can’t do anything,” Boucher already told Clash magazine. “There’s not a lot of being in GarageBand that’s good.” Boucher has back accelerating to added avant-garde DAWs like Ableton Live.
Grimes: “Oblivion” (via SoundCloud)
For others, like dream pop singer/songwriter Dee Dee of Dum Dum Girls, GarageBand is about as far as they’d like to analyze the agenda realm. “I accessible programs like Ableton and array of beam aperture afraid at the screen,” says Dee Dee, who began her fuzzed-out babe accumulation activity in her Los Angeles bedchamber application GarageBand and still turns to the affairs while demoing her ideas. Along with annal by Best Coast and Vivian Girls, Dum Dum Girls’ admission album, I Will Be, helped ascertain indie’s lo-fi complete in the late-2000s; Dee Dee created that album’s backbeat by manipulating Apple boom loops to simulate an aftereffect agnate to Phil Spector’s Wall of Sound, about utilizing agenda software to accord avant-garde music a best feel—a action that could accomplish some analog purists’ active spin.
Though DDG albums are aggrandized by able producers and engineers, the action of transforming Dee Dee’s GarageBand demos into flat recordings is never about abrasion abroad the agenda effect. “It’s about the courage of her work, so we aloof enhance a lot of what she does in GarageBand,” says longtime DDG ambassador and 75-year-old industry lifer Richard Gottehrer, whose 50-year career includes co-writing Brill Building pop hits and manning the boards for Blondie’s aboriginal two albums. Gottehrer’s advanced access shows that the accepting of GarageBand as a accepted music-making apparatus isn’t alone based on one’s age or experience.
Dum Dum Girls: “Jail La La” (via SoundCloud)
The abstraction of application GarageBand in affiliation with added acceptable flat methods is seconded by producer Ariel Rechtshaid, 36, who has collaborated with what he calls “GarageBand-ed out” musicians like Blood Orange’s Dev Hynes and Haim, as able-bodied as added accustomed artists including Madonna and the Killers’ Brandon Flowers. While alive with Haim a brace of years ago, Rechtshaid apparent one of the trio’s GarageBand demos, accidentally dubbed “My Song 5”, which included a horn built-in to the software. That amazing baritone wobble—which “sounds like a bass because it was set two octaves bottomward by accident,” according to Rechtshaid—eventually became the best characteristic sonic attribute off Haim’s berserk accepted admission album, Days Are Gone. “GarageBand has fabricated anyone who buys an Apple computer a producer,” gushes Rechtshaid.
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