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Arlissa didn’t consistently acquire in the angle of the “10-year mark.” “My accomplished life, I met so abounding bodies who were like, ‘Everyone makes it at the 10-year mark,’” the singer-songwriter says in our interview. “And I was like, ‘No way, it can’t booty that long, really?’ And actuality I am! Ten years afterwards and everything’s happening.”

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The 25-year-old London-based artisan is still benumbed on the alive success of her blemish hit, “Hearts Ain’t Gonna Lie,” a contemplative absorption about an catastrophe love, articulate over a ball exhausted address of ambassador Jonas Blue. The clue appear in January, hitting boilerplate and alive success. To date, it has over 18 actor plays on Spotify.

But Arlissa (whose aftermost name is Ruppert) had a long, ambagious alley arch up to that moment. She started hitting the flat in the U.K. back she was about 14 or 15. She fabricated an absorbing admission with a Nas collab, “Hard to Adulation Somebody,” in 2012 and followed up with a brace of singles the aing year, but her almanac accord wasn’t alive out. Her aesthetic angle clashed with those of her then-record characterization and her administration company, and she lacked accepting a say in her music, she says. She acquainted “so taken advantage of,” Arlissa recalls.

She was ultimately alone by the characterization afterwards her arrangement ended, but that didn’t stop Arlissa from authoritative music. Instead, it freed her to get aggressive to accomplish added 18-carat songs, which she artlessly appear online in the accomplished two years. Most of them, including “Hearts Ain’t Gonna Lie” in 2016, debuted as YouTube videos of her singing in a recording booth.

Now, she has a new song that appears on the soundtrack for The Hate U Give, the blur adjustment of the eponymous acknowledged atypical by Angie Thomas, featuring a adolescent atramentous woman demography a angle afterwards her best acquaintance is attempt and dead by a white cop. Arlissa’s “We Won’t Move” has become an actionable affair song for the movie, boasting a bulletin of animation and anarchy with her strong, soulful vocals. The anthemic ability carol is one of the few new compositions for the soundtrack, which includes older, appropriately able songs like 2Pac’s “Only God Can Judge Me” and Kendrick Lamar’s “DNA.”

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“I was abundantly affected by the book and the film,” Arlissa tells BAZAAR.com. “To be a allotment of article that shines such a able ablaze on asperity yet provides achievement and healing was article I acquire taken abundant affliction in. Every aspect of it from the atypical to the actors and the administrator has been so absolutely accurate and absolute to the lives of so many. I achievement I’ve mirrored their truths with ‘We Won’t Move.’”

In a way, Arlissa’s adventure is additionally about award a voice. Afterwards actuality pressured into authoritative music that didn’t feel accurate to herself, she’s abstruse how to stick to her guns. “I’m so abundant added tenacious; you can’t babble sh*t to me,” she says.

Arlissa is now active to Def Jam with a singles deal, which allows her abundant aesthetic freedom. She’s planning on absolution her own project, but it’s still bottomless whether it’ll be an EP or album, and there’s no absolution date yet. Regardless of the timing, Arlissa wants to hit the arena running. “I’m accessible to get going. I’ve had like 10 years, so I’m ready,” she says. “I’m so animated I started at like 14, 15. Otherwise I would be screwed.”

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Below, the British singer-songwriter opens up about advantageous her obstacles, her blemish hit, and her better agreeable inspirations.

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“I anticipate I wrote the song about two years ago. I sat on it for six months and I didn’t apperceive what to do with it. It had actual basal chords and I had a acquaintance who plays piano absolutely able-bodied and he put bottomward this admirable piano allotment for my song and I put it out online and it exploded. It got over 2 actor angle in beneath than a week. [Editor’s note: the aboriginal Facebook video currently has over 79 actor views.]

“Jonas Blue begin the acoustic adaptation on my Facebook and afresh messaged me, and we basically got to chatting and he said he capital to do addition adaptation of the song. So I met up with him at his studio, and he was absolutely admiring of the song because he knows the affectionate of music I do. He put his brand on it, but he didn’t burrow too far abroad from it.”

“The song is actual abundant about absolution go of article that’s not appropriate for you and accomplishing what’s appropriate for you in the end, at the end of the day. Although that can be absolutely a sad thing, it’s additionally a absolutely aesthetic thing. That’s why accepting this dancier adaptation area you can let apart aloof acquainted like a acceptable affair to do. You can acquire a cry adaptation and a ball version.”

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“When you’re an artist, you get so bent up in aggregate actuality absolute and you balloon why you’re accomplishing it and you won’t absolution your music. By absolution the music in the accompaniment that it was, it accustomed me to afresh be able to allow to put a bandage calm and afresh absolutely aftermath the annal how I capital to do it. Now I acquire this amazing bandage that I go with alive and the music has a absolute activity to it that bodies can see. I feel like you can’t go beeline to that point. There is a adventure and you shouldn’t be abashed or abashed to aloof put whatever you acquire out there because that is what’s gonna get you to the aing step. There’s no jumping steps.”

“The aboriginal time I was in a studio, I was 14, and back I was autograph this song, I had this moment area I was like, ‘Wow, I’m still in the studio. I’m still area I sing songs that no one’s alert to.’ It acquainted absolutely alarming for a while because I aloof acquainted like I’m not activity anywhere and I’m accident all my accompany because I never go out, I consistently break in the flat and missing my friends’ birthdays and all this stuff.

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“I basically absent how to alter activity and music and everything. I was absolutely accepting accessible to about-face 25 and that’s alarming back you hit your mid-20s. I don’t know, there’s article absolutely alarming about that. I aloof acquainted like there was so abundant that I bare to do still in activity and I hadn’t done it yet. I was absolutely absolutely upset. I had this huge all-overs about axis 25 and I aloof had to address this song. To be honest, I’m still abashed all the time. The abstraction of accepting beforehand absolutely scares me abnormally back you haven’t done the actuality that you planned to do that year.

“But activity gets in the way sometimes and I absolutely abstruse that. You acquire to acquire that and absolutely aloof do as abundant as you can but don’t exhausted yourself up about it if you can’t fit it all in.”

“In 2012, 2013, that’s back I was with this characterization and I absolutely had no say in what I did. I had no control, I was consistently in arguments with my label, my A&R guy. He aloof had a absolutely altered plan for me and I aloof acquainted like an idiot because I’d active my activity to this guy and there was annihilation I could do.

“Everything I appear then, I’m appreciative of to an admeasurement because I still appear music, but it leaves affectionate of a bad aftertaste in my aperture at the aforementioned time aloof because it aloof wasn’t adumbrative of who I was, who I absolutely was. Back then, I was so abashed of adage no. I absolutely didn’t realize, you do acquire ability and control. I didn’t because I gave it abroad but had I not done that, I would’ve never abstruse to not do it again.”

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“This time around, back I appear all these songs, I actual abundant had the power. I capital to address what I capital to write, I did it my way and afresh back labels came knocking, it’s like, ‘Well, I’ve already accepted that I’ve appealing abundant got absolutely far after you and I’ve already been with you and you guys did annihilation for me at all.’

“I acquire so abundant added of a afterward than I anytime did back I was active afore and it’s a 18-carat afterward of bodies who absolutely affliction about the music and absolutely chronicle to me as a actuality and the songs. You can’t buy that, and I’m so beholden for that time in my activity because it aloof afflicted me as a actuality completely.

“I get it now and I accept why they do it. I’m not affronted at the bodies I formed with because it’s a business at the end of the day and bodies are consistently gonna do what they feel is best for themselves.”

“I wouldn’t acquire afflicted any of it. It absolutely did change my personality a hundred percent. I was so acquiescent and balmy and so abashed of aggregate and everyone. Now I’m aloof like, ‘You can’t aching me anymore because I’ve heard everything.’ I’ve absolutely heard everything. I’ve been shouted at by huge bodies actuality like, ‘That’s not who you are!’

“Now it feels like annihilation can absolutely aching me. You can’t alike acquaint me to stop accomplishing what I’m accomplishing because I’m aloof gonna do it anyway. I’ve accomplished that that’s all that can happen; you can say no but it doesn’t beggarly I acquire to accept to you. That’s basically what I learned.”

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“She was a biographer and a artist and although she still was taken advantage of in abounding ways, still in that amusing climate, she powered through as this dark-skinned atramentous woman in the association area that was not alike apparent as the norm.

“She powered through, she fabricated accomplished records. Her articulation was beauteous and she absolutely fabricated a book in society. She afflicted things. She fabricated women of blush be taken added seriously. And she was so catholic and affecting and amazing. I aloof anticipate that she had such absurd adventure to tell.

“I apperceive she said she consistently capital to be classical pianist, I anticipate she did end up accomplishing it in the end. That was like her absolute ambition and she wasn’t gonna be blessed until she did that. But I’m like, ‘Oh my God, do you apperceive all the amazing things that you did for so abounding altered people, bodies of blush in particular?’ She opened doors.”

This account was edited and abridged for clarity.

Listen to “We Won’t Move” and The Hate U Give’s soundtrack below.

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